Paint colors on a timeline, lock them to the beat, and DMXRoll runs your lights — over Art-Net, sACN or a USB DMX interface. Built by a gigging musician, for musicians.



Every light gets its own track. Pick a color, drag along the track, and that light holds the color for those beats. Change the tempo and the whole show follows — blocks live in beats, not seconds.

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Draw, select, move, copy and resize blocks. Copy, paste, duplicate, split and fill gaps — everything undoable.
0–9 pick colors, G snaps, Space plays, Tab jumps to the next song.
Changes reach the lights instantly — even a new tempo doesn't stop the show.
Leave a gap between two blocks and DMXRoll fades the color and brightness across it — smoothly, at up to 60 frames per second.

Drop in your song — MP3, WAV, AIFF, FLAC and more. DMXRoll draws the waveform, detects the tempo and plays it in sync with your lights, on the audio output you choose.

DMXRoll suggests the BPM it hears. Accept it or type your own.
Loop a song, or auto-advance to the next one and keep playing through the set.
Next, previous, start, stop or jump to any song from your controller or backing-track rig.
Start from an RGB, RGBW or single-color template, or build any light channel by channel. Tell DMXRoll where it lives in DMX — it does the math and warns you before two lights clash.

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Put your band and your lights on a top-down stage, aim the beams, and switch to Live: every beam glows with the color its light is sending. Program at home, far from the rig.


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Network nodes and cheap USB dongles alike — built in, no extra software. If DMXRoll can't send it on your network, it tells you why.
Any Art-Net node. Scan finds the nodes on your network for you.
E1.31 streaming ACN, multicast or unicast, with priority.
Enttec DMX USB Pro and compatibles, auto-detected.
The inexpensive FTDI “USB to DMX” cables. Plug and play.
Exotic devices through the bundled Open Lighting Architecture.
A different patch for every club. The show stays the same.


One .dmxroll file holds the whole show — even the audio.
Art-Net, sACN, or plug in a USB DMX interface.
Pick a template and enter the address set on each light.
DMXRoll draws the waveform and finds the tempo.
Drag colors along the tracks. Fades come for free.
Music and lights start together. Then save with ⌘S.

Free for everyone — pay what you want. For Macs with Apple silicon.
Yes. Every feature, no trial, no account — and that includes commercial use: use it for your band's paid gigs, a club or a production company. Pay what you want if it's useful to you, or nothing at all.
A Mac with Apple silicon (M1 or later) and a way to reach your lights: an Art-Net or sACN node on your network, or a USB DMX interface.
The Enttec DMX USB Pro and compatibles (such as DMXking ultraDMX), FTDI-based Open DMX cables, and unusual devices through the bundled OLA.
Yes. Map Control Change or Program Change messages to next, previous, start, stop, rewind or a specific song — with a Learn button.
Not yet. It's next on the list.
Not yet. Pan, tilt and the other moving-head features are on our roadmap and coming soon. Today DMXRoll drives color and intensity: PARs, LED bars, wash lights, blinders and more.
Not yet — it comes with generic RGB, RGBW and single-color templates, and you can map any other light yourself in a minute, then save it as a template. As the DMXRoll community grows, we'll build an open marketplace where anyone can share the fixtures they've mapped and everyone else can download them.
Yes — of course we used an AI assistant to build it. We believe AI can democratize access to professional software: it makes it possible to build tools at a very high level without the financial barrier that usually keeps them out of reach. AI gets criticized for many things, and often fairly — but here, using it for the good of the community is our overriding goal.